SEBASTIEN FOUCAN talks about his outstanding role in the tour de force film KNUCKLEDUST a cool, atmospheric, Sin City, Guy Ritchie and Tarantino tinged, tongue in cheek, neon fuelled fight club gone wrong.
Sebastien Foucan PARKOUR & Free Running Star reveals how he became involved in KNUCKLEDUST as the key character Tick Tock. Did he create his character’s style, and costume? How did they create the fight? How long did it take to build and rehearse the sequence? When did they create PARKOUR and Free Running? How did get involved with James Bond and CASINO ROYALE? How do you work out a BOND fight sequence? And much, much more. Great bloke, great conversation. Thank you Sebastien Foucan.
He was one of the pioneers of Parkour in Paris in the 80s. His freerunning skills were put to great use notably in Casino Royale where he becomes one of James Bond’s toughest adversaries.

Synopsis:
Police discover an elite fight club where they find seven underground levels, filled with the dead bodies of fighters from around the world. Only one man is found left alive. The task force has to work out if he’s a mass murderer or the lone survivor?
Both leads actors felt the script was for them immediately, with Moe Dunford (Vikings) describing the film as “completely bonkers and unlike anything I had ever read” whilst Kate Dickie (The Witch) felt it was “A headf**k in the best possible way”.
KNUCKLEDUST was written and directed by James Kermack. The film is a co-production between Julien Loeffler at Featuristic Films and Laurent Fumeron, Daniel Goroshko and Rodolphe Sanze at The Project; executive produced by Phil Hunt, Compton Ross, Nils Rebehn, James Barton-Steel, Reinhard Besser, Walter Mair, Prakash Gurbaxani, Rohan Gurbaxani, Matthew Bradley, Ron Bradley, and Sharunya Varriale.
The film is being made in association with Head Gear Films, OneWorld Entertainment, Trigger Films, Onsight and IIW Studio.
The deal was negotiated by Miles Fineburg on behalf of Samuel Goldwyn Films and Gregory Chambet of WTFilms on behalf of the filmmakers.
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